4th
Annual Film Festival
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Nov. 12 & 13, 2011 |
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Fresh Pond
Cinemas |
168
Alewife Brook Parkway, Cambridge, MA
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Call
(617) 610-9399 for advance purchase
tickets ($10 per showing). |
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SATURDAY
SHOWING |
12;00 PM |
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2:00 PM |
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4:00
PM (shown together)
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6;00
PM (shown together) |
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SUNDAY
SHOWING |
12:00 PM |
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1:00 PM |
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2:30 PM |
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5:00 PM |
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A T U R D A Y |
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Moi, Michel G., milliardaire,
maitre du monde
(Michel G, King of the
World)
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"Moi, Michel G,
Milliardaire, Maître du Monde" is a mocumentary about
a fictional business tycoon. Michel Ganiant has the power, the money,
the woman. And now he has a film crew on his back... Discover the
true face of neo-liberalism and enter the crazy world of Michel
Ganiant. Too bad it's your world too. |
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Stephane Kazandjian is a writer
/ director based in Paris. After "Sexy Boys" (2001) -
which is now considered the first French teen movie - , and "Modern
love" (2008) - a tribute to romantic comedies and musicals
- "Michel G, King of the World' is his third feature film.
He also wrote the feature length 3D animation movie "A Monster
in Paris", directed by "Shark Tale" director, Bibo
Bergeron which screened at the Toronto Film Festival and was recently
released in France. |
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Charents: In Search Of
My Armenian Poet
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Charents: In Search
of My Armenian Poet explores the life and work of one of Armenia's
best-loved poets, Eghishe Charents, who was tragically killed in
a Stalinist prison in 1937 under mysterious circumstances. This
literary travelogue takes viewers on a journey from Armenia to the
poet's birthplace in Kars, Turkey, and includes interviews with
experts of his work and stylized poetry readings by ordinary Armenians.
WATCH
TRAILER HERE
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Shareen
Anderson
Shareen Anderson is an award-winning, independent
filmmaker based in Brooklyn, New York and Johannesburg, South Africa
and the founder of Fort Greene Filmworks, a company that specializes
in documentary filmmaking. For Al Jazeera English, Shareen co-directed
and co-produced the critically-acclaimed eight-part documentary
series entitled "Saving Soweto", and a one hour documentary
entitled "Forgotten Freedom Fighters". Charents: In Search
of My Armenian Poet is her feature-length documentary directorial
debut.
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An abstract realist
look at life in Armenia: Loss of family space, workspace, urban
space and memory space. These four subdivisions of space tested
by time, searching for and responding to each other, contaminated
by chaos in a town falling apart. WATCH
TRAILER HERE
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Comes Chahbazian
Comes Chahbazian graduated as
assistant director at Conservatoire Libre du Cinéma Française
(Paris, 2001) and in International Commerce in 1998 (Brussels).
Between 1995 and 1999, both in Belgium and in the USA, he took
courses in cinema and theater, acting, circus techniques, acrobatics,
mime and photography. In 2002, he wrote, photographed and directed
four short films screened in a number of international festivals.
Ici Bas won the Silver Apricot Award in the Golden Apricot film
festival in 2010.
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Thirteen
years after the Armenian city of Leninakan was destroyed in an earthquake,
Loussiné, a 13 year old orphan lives with her grandfather
in a "domik" – a prefabricated small house. She
is dumb, but a talented pianist. To prepare for an international
competition, the Ministry of Culture lends her a beautiful piano.
But when the instrument is delivered, it’s clear that the
trailer where they live is too small to hold a piano… |
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Lévon Minasian
Born in Leninakan (re-named Gyumri),
Armenia, Levon Minasian commenced his theatre studies at the Institute
of Fine Arts and Theatre in Yerevan (Armenia). He worked as an
actor at the Araspel and Vardan Adjemian Theatres in Gumri. He
studied film at the University of Paris-8 (France). In 1996, he
receives his Master’s Diploma with distinction with the
congratulations of the jury.
He is an awarded scriptwriter, also has directed short films,
produced mainly by French production companies.
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Constantinople
1910. The streets are overrun with stray dogs. The newly-established
government, influenced by a model of Western society, uses European
experts to choose a method of eradication before deciding, suddenly
and alone, to massively deport the dogs to a deserted island away
from the city. WATCH
TRAILER HERE |
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Histoire
de Chiens
(Dogs' Story)
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Istanbul,
2010. While the city is promoted as a European capital of culture,
who remembers that thousands of dogs had been exterminated in 1910
for the sake of westernization and progress? Residents reflect upon
the interactions they have today with the street dogs in their neighborhood.
From European downtown to the distant suburbs, the diversity of
views illuminate a society in evolution, its contradictions and
its starting dynamics. |
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Serge Avedikian
Serge Avedikian is a director
and actor. He has directed documentary films (Sans retour possible,
Que sont mes camarades devenus, Irina Brook: le plaisir contagieux,
Nous avons bu la même eau), short and medium length dramatic
films (Bonjour Monsieur, Au revoir Madame, M'sieurs Dames, Mission
accomplie), film poems (J'ai bien connu le soleil, Le cinquième
rêve, Lux aeterna, Terra emota) and three animated films
("Ligne de vie", "Un beau matin" et "Chienne
d'histoire"). "Chienne d'histoire" received the
"Palme d'Or for short film at Cannes in 2010. He is currently
working on a dramatic feature film.
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S
U N D A Y |
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| Through eyewitness
accounts and gripping footage, acclaimed director Eric Kabera takes
the viewer on an emotional journey into the 1994 Rwandan genocide,
its survivors, and the memorials created in the victims' honor.
The film focuses on the personal accounts of men and women who watch
over the sacred burial sites keeping the memories alive for future
generations. In 1994, the small African nation
of Rwanda was host to a brutal genocide that saw nearly one million
people slaughtered during the span of 100 days. Director Eric Kabera's
powerful documentary KEEPERS OF MEMORY revisits the human tragedy
through stunning location footage and wrenching interviews with
survivors who tend to genocide memorial sites in order to impart
their lessons to future generations.
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Eric Kabera
Eric Kabera is a Rwandan documentary
and fiction filmmaker and producer. He collaborated on one of
the first fictionalized films about the genocide, 100 Days (dir.
Nick Hughes), and has participated in a variety of projects related
to the process of memorialization and commemoration of the events
of 1994 and their aftermath. Kabera is also the founder of the
Rwanda Cinema Centre and the Rwanda Film Festival.
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Un Juillet a Ledjap
(July in Ledjap)
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July in ledjap by Khajag
Soudjian, is a portrait of a remote Armenian village that still
suffers economic repercussions from the collapse of the USSR twenty
years ago. In its first humanitarian undertaking, C.S.O.E., a French
relief group, spends several weeks there one summer, renovating
dilapidated buildings and organizing activities for unoccupied children.
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Khajag Soudjian
Khajag Soudjian was born and educated
in Paris. At 22, his first music video appeared in the Festival
International des Arts du Clip. Based on his first film, July in
Ledjap, he was invited to the Berlinale Talent Campus of the 2008
Berlin Film Festival. He has since completed two shorts that have
garnered many festival prizes and is currently directing two TV
shows for French television.
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Set against the gorgeous
landscape of Armenia, HERE chronicles a brief but intense relationship
between an American satellite-mapping engineer (Foster) and an expatriate
photographer (Azabal) who impulsively decide to travel across the
remote countryside together. As their trip comes to an end, the
two must decide where to go from HERE.
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Braden King
Braden King co-directed the film
DUTCH HARBOR: WHERE THE SEA BREAKS ITS BACK, a lyric, non-fiction
meditation on the life and landscape of an Aleutian Island community
off the coast of Alaska. Recent non-narrative work includes HEAVEN
IS A PLACE / NOTHING EVER HAPPENS and THE STORY IS STILL ASLEEP.
King’s work has been screened on all major U.S. broadcast
networks, HBO, the BBC, Sundance Channel, MTV, Channel 4 (UK) and
others. |
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Le Fils du Marchand D'Olives
(Son of the Olive Merchant)
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For their
honeymoon, Anna and Mathieu went to Turkey. With camera in hand,
they traced the footsteps of Garabed, the Armenian grand-father
of Mathieu, who escape the 1915 genocide. They are determined to
learn more about Mathew's Armenian origins. In this country where
speaking of the Armenian genocide could be dangerous, their name
with Turkish intonations serves a purpose to get people talking
about their idea of the Turkish involvement during 1915 tragedy.
A road trip across the country mixing animation with documentary,
to report a sad confirmation: The denial has become an institution,
rewriting the history books and pretending that there was a genocide,
but a genocide committed by the Armenians against the Turks. WATCH
TRAILER HERE |
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Mathieu Zeitindjioglou
After studying painting and applied
art, I turned myself to motion pictures which appeared to me as
the ultimate forms of art and expression. As it mixes both, the
most primitive form of communication, as images, symbols and sounds,
with the most sophisticated forms of narration and intellectual
reflexion.
Through these two extremes, I feel motion pictures help to explore
the enigmatic nature of the human being's behavior. Through my films,
I attempt to touch both the mind and the heart of spectators, to
reach a sense of togetherness of humanity.
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Please send your films
in DVD format for consideration to:
Armenian Dramatic Arts Alliance
Sunset Gower Studios, 1438 N. Gower St., Box 24, Courtyard
Suite 43
Hollywood, CA 90028 USA
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The Armenian Dramatic Arts Alliance (ADAA)
is a 501(c)(3) charitable organization. Its mission is to make the Armenian
voice heard on the world stage through the dramatic arts of theatre and
film. The organization accomplishes this mission by supporting playwrights
and screenwriters and provides production opportunities, commissions, scholarships,
research tools, networking resources and writing awards. The organization
is currently working on creating relationships with leading theaters in
the United States to establish reading series so that the winning scripts
– and other scripts by ADAA-affiliated playwrights -- will be seen
and heard. ADAA’s headquarters are in Cambridge, MA with worldwide
affiliates in Paris, Yerevan, Los Angeles, Boston, New York and other major
cities.
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